
No one will ever accuse Kaori Yuki of writing uneventful manga. All of her work—Angel Sanctuary, The Cain Saga, Godchild, Grand Guignol Orchestra—has the feverish quality of a Hieronymous Bosch painting, a parade of tormented souls and grotesque creatures performing depraved acts. Yuki aims to do one better than Bosch, however, by populating her morality [...]

















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