First Impressions of JManga

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Will JManga transform the way Americans read Japanese comics? Based on what I saw today, the answer is no: the selection is good but not amazing, and the pricing scheme is too high to compete with scanlations. If the site’s sponsors are receptive to feedback from their customers, however, JManga might evolve into a valuable [...]

Manga on the Big Screen: Love*Com, NANA, and Ping Pong

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As anyone who’s seen Green Lantern or Captain America can attest, adapting a comic for the silver screen is an art, not a science. Done poorly, comic book movies alienate fans with the omission of favorite characters and glossing of seminal plotlines, or confuse newcomers with in-jokes and choppy storytelling. Done well, however, comic book [...]

A Few Thoughts About TOKYOPOP

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Earlier this afternoon, Heidi MacDonald reported that TOKYOPOP would be closing its North American publishing division on May 31, 2011, though its film division and global licensing operations (located in Hamburg, Germany) would remain active. The announcement was sudden, but not terribly surprising; TOKYOPOP fired several senior editors in February 2011, reducing its total workforce [...]

Breaking Up Is Hard to Do

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Look in the DSM IV, but you won’t find an entry for what ails me: Manga ADHD, or a chronic inability to finish a series of five volumes or more. I didn’t used to be so distracted; once upon a time, I didn’t care if a series was long or short, complete or in progress. [...]

Free To Be You and Meh?

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Does hyperbole have a worthwhile role to play in criticism, or is it as much of a cop-out as dismissing Arcade Fire’s latest album with a “meh”? Tasha Roberts and Keith Phipps, two of The A.V. Club’s regular contributors, had a spirited debate on the subject, with Roberts arguing that hyperbole is a rhetorical stance [...]

Canon Fodder

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What belongs in the manga canon? It’s an intriguing and complicated question for English-language readers. There are glaring omissions in the historical record, for one thing; with a few notable exceptions, Western companies have steered clear of manga published before 1970, and have been leery of titles released in the 1970s and 1980s. American audiences [...]

Grody to the AX?

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Are “North American ladies” more squeamish than manga fans in other parts of the world? That’s the question that Sean Michael Wilson, editor of AX: A Collection of Alternative Manga, raised in a recent blog entry: …one aspect has surprised both myself and Asakawa, the Japanese editor -  quite a few female American reviewers have [...]

Tezuka: A Bibliography for English Speakers

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For the English-language reader interested in learning more about Osamu Tezuka, there’s a growing body of scholarship exploring his life and work. Frederik L. Schodt, who was a personal friend of Tezuka’s, has done more than just about anyone to introduce Tezuka’s manga to Western audiences, writing in an accessible style that eschews academic formality [...]

Osamu Tezuka Appreciation Week

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The release of Ayako, one of Osamu Tezuka’s most sober and damning works, seemed like a fine excuse for a week of Tezuka-themed essays and reviews. Like many American readers, I have a complicated relationship with Tezuka. I love his artwork: his innovative layouts, his brilliant caricatures, his crazy, tripped-out dream sequences and Freudian sex [...]

Mangia! Mangia! Readers Recommend Their Favorite Food Manga

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The results are in: Leslie Kimura won a copy of Fumi Yoshinaga’s Not Love But Delicious Foods Make Me So Happy! (Yen Press). Congratulations, Leslie! As my way of saying thank-you to everyone who entered, linked to, or Tweeted about this giveaway, I’m sharing all the contestants’ answers to the question, “What is your favorite [...]